2010's
















































































A month prior to the opening of my exhibit at Baik Art titled 00, I made the trip north to witness the total solar eclipse from a remote spot on the Nebraska prairie. Prior to this excursion I hadn’t realized the wonderful correlation between the work I had done for the show and the experience of witnessing two celestial spheres merge.
2017
Acrylic on wood
14 x14 14”
2017
Detail
2017
Installation view
2017
Acrylic on wood
14 x 12 x 13”
2017
Acrylic on wood
16 x 12 x 13”
2017
Acrylic on wood
12 x 13 x 18”
2017
Acrylic on wood
15 x 15 x 17”
2017
Acrylic on wood
16 x 18 x 22”
2017
Installation at Baik Art
2017
Installation at Baik Art
2017
Graphite drawing on gallery wall
14 x 20”
2017
Graphite drawing on gallery wall
20 x 20”
2017
Graphite drawing on gallery wall
38 x 38”
2017
Grahite drawing on gallery wall
16 x 30”
2017
Graphite drawing on gallery wall
30 x 30”
2017
Graphite drawing on gallery wall
23 x 15”
2017
Wood
16 x 8 x 6 ½ “
2017
Side view
2017
Wood (carved from single branch)
39 x 23 x 66”
2017
Second view
2017
Los Angeles River algae, resin and steel oil drum
35 x 19 x 20”
2017
Detail
2017
Wood, oil and pigmented resin
15 x 15 x 12”
2017
Wood and acrylic
72 x 7 x 7
2017
Enamel on wood, rope and staples
66 x 6 x 13”
2017
Wood and acrylic
5 x 24 x 24”
2017
Detail
2017
Wood
14 x 14 x 4”
2017
Side view
2017
Painted bronze
2 ½ x 2 ½ x 2 ½ “
2017
Graphite on paper
12 x 12”
2017
Detail
2017
Graphite on paper
10 ½ x 10 ½ “
2017
Detail
2017
Wood and acrylic paint
30 x 16 x 18”
2008-2018
2016
Created and posted the night Trump was declared President
Carving installed at Dryad Gallery, a hole in a tree outside Evan Holloway’s studio
Wood
Carving dim: 7 x 1 ¾ x 2 ½ “
2016
Detail
2016
Detail
2016
Unveiling ceremony
2016
Wood, glass and electrical components
120” x 8 x 16”
2016
Pigmented gypsum cement
72 x 16 x 16”
2016
In honor of the twenty rescued pigeons that occupy an aviary behind my studio.
The column was created by adding a poop of plaster each day over the course of roughly two months, until it reached my height.
Bronze on wood stand
3 ½ x 3 ¼ x 4”
2015
Carrion blossoms and pigmented resin on wood
23 x 23 x 1 ½ “
2014
Wood, coins and resin
32 x 21 x 18”
2014
Interior
The moon is the wall seen through a resin lens deep within the piece.
2014
Wood and acrylic
90 x 21 x 12”
2014
Wood, bed linen and resin
10” sphere
2014
Wood and acrylic
42 x 28 x 58”
2014
Wood and stone
16 x 36 x 36”
2014
Based on a dream in which I discovered a huge boomerang while wandering in the desert. Then, realizing its creator would be a giant, I spent the remainder of the dream cowering in the shrubs.
After creating numerous normal boomerangs as research, I am confident that this piece would fly.
Wood, acrylic and steel
71 x 11 x 11”
2013
Second view
2013
Wood
4 x 12 x 12”
Hung at waist level, the labyrinth is navigated by finger
2012
Detail
2012
Wood, rope and staples
36 x 2 ½ x 2 ½ “
2012
Ben Maltz Gallery, Otis
Wood and mixed mediums
142 x 148 x 192”
2012
Inspired by a tourist trap by the same name in the Black Hills of SD, the cube and the elements contained within were designed to generate an extremely disorienting experience.
Portal
2012
Interior
Dim 98 x 98 x 98”
2012
Detail
2012
2012
2012
Wood, graphite on wood
5 x 20 x 20”
2012
Iron
7 x 42 x 42”
2010
Installed with orientation aligned to the cardinal directions
Stained wood bowl, bronze snake
Snake scale: 3 x 5 x 6”
Snake eating its tail in the form of a square knot
2010
Bed linen on wood, resin
12” sphere
2010
Acrylic on wood
96 x 14 x 14”
2010
Second view
2010
Los Angeles River algae, wood and resin
35 x 13 x 13”
2010
Detail
2010
Stained wood panel, acrylic, carrion blossom and resin
12 x 12 x 1”
2010
Los Angeles River algae, wood, resin and found metal stand
32 x 16 x 16”
2010
Detail
2010
Used casino playing cards from the Silverado Casino in Deadwood, SD, acrylic and resin
44” dia x 3”
2010
The geometry of the spiral is numerically resolved in every direction (concentrically and radially) and completes a full cycle through the four suits, beginning in the center with the Ace of Spades and ending with the King of Hearts. The next card in the spiral would be the repeat of the Ace of Spades, thus launching a perpetual cycle through space and time.
Performance at Post Gallery, Los Angeles
2010
Wood panel, pigmented resin and carrion blossom
20 x 20 x 1”
2010
Detail
2010